FOR YOUR CONSIDERATION: “St. George and the World Serpent” by Stephen Kotowych


“St. George and the World Serpent” by Stephen Kotowych

FOR YOUR CONSIDERATION

Eligible for the Aurora Award for Best Short Fiction

(click here to register to nominate and vote!)

Originally published in Odin: New & Ancient Norse Tales (Flame Tree Publishing, November 2024).

* * *

James crashed through the heavy leather flap across the officer’s dugout door, laughing as he fell to the rough pine board floor. His Brodie helmet clattered away, and a spray of trinkets flew from his pockets: some French coins; his good craps dice; spare rounds for his Lee-Enfield.

His small holy medal of St. George skittered to a stop against the polished boot of another officer playing a battered upright piano.

“Are you drunk, lieutenant?” said the officer, without turning or stopping his playing. The piano was dusty and worn, its keys yellowed and chipped from years of use.

“Yes, I am,” said James, rolling to his back. He knew that tune–what was it?

James lifted a hand to shade his eyes against the kerosene lamps that bathed the dugout in amber. The oily light was dazzling after the nighttime darkness of the trenches.

The walls and roof were made of logs; the central support column was a thick tree trunk, still covered in bark. The cramped space was cluttered with make-shift furniture, a field radio, rolled maps. A fire crackled in a black potbelly stove.

James thought he knew all the dugouts along this stretch of trench but had no memory of this one. The place smelled of mud, the kind that clung to boots and seeped into clothes, a reminder of the trenches just outside. A faint hint of old beef lingered in the air, the smell of rations that had been sitting too long.

A shell whistled and exploded somewhere overhead, rattling a cascade of dust from the timber ceiling. James laughed. That one wasn’t so close. After two years at the front, he could tell which incoming rounds needed worrying about.

It was Wagner, he realized. Fantasia in F-sharp Minor, maybe? He decided to lie there on the floor forever and smiled.

He didn’t realize the music had stopped until the piano player loomed over him.

“Sir!” James said, recognizing the officer’s insignia. He scrambled upright and came to swaying attention. The floor was sliding out from under him, he was sure. Stumbling drunk into a general’s dugout? Men were shot for less.

The general wore a patch over his left eye and appraised James coolly with his right. “Well, if you’re staying close the flap. Remember your light discipline! You’ll just give the Jerrys something to aim for.”

James, uncertain for a moment, pulled the flap back across the door, drowning out some of the war outside.

The general offered James a seat at a low stool beside a small pine table. The table was roughhewn, like the floor, but the linens were exquisite, reminding James of Balliol College high tables he’d attended.

From somewhere the general produced a cut glass bottle and two blue-and-white Delftware teacups. He poured honey-brown liquor into each.

“I can’t imagine what home-brew swill you’ve managed to get your hands on,” said the general, “but officers should have more self-respect.” The delft made a sharp tink as they toasted. “So will you tell me what’s got you in your cups, or shall I guess?” James finished his drink, and the general poured him another.

“It’s the push tomorrow, sir,” said James. There was no sense in hiding it. Any fool could guess. “Just working myself up for going over the top.”

“Isn’t that why you wear this?” The general dangled the St. George medal by its chain. “‘Our ancient word of courage, fair Saint George, inspire us with the spleen of fiery dragons!’”

“Yes, well… Shakespeare aside, sir, I haven’t found it a source of much comfort,” James said.

The general released the chain and for just a half-second too long the medal seemed to hang in the air, lingering as if stuck, before jangling to the table.

James blinked profusely, wondering how strong the general’s liquor was. He couldn’t place the flavour. It was thick and sweet, but wasn’t brandy, as he’d expected.

“No answer to your prayers?” asked the general.

“I’m worried I had an answer, sir, and that it was ‘No.’” James sighed. “Do you believe in God, sir?”

“In my own way.”

“I was taking Divinity at Oxford before all this,” said James. “Don’t think I could go back, now.”

“Lost your faith?”

“Just not sure I can look it in the eye any longer.” He put down his teacup. “If I’m to love my enemies and pray for those who hate me, how the bloody hell am I supposed to go kill the Hun?”

“There have always been Christian soldiers,” said the general. “St. George. Joan of Arc. A Roman centurion converted at the foot the Cross.”

“Yes,” said James, reconsidering his teacup. The design was hard to make out. Something Dutch, probably. “But I can’t help wondering whether they’ve got it all wrong. Can you claim to follow the Prince of Peace if it’s your job to kill people every day? ‘Those who live by the sword,’ I keep thinking.”

The general smiled. “You’ve finally figured it out, have you?”

“Sir?”

“The secret at the heart of war: it is a pagan province and delight. We must repay our enemies’ hate with hate, blood with blood. We must glory and revel in warfare!”

James shifted in his chair. “Well, sir, I’m not sure about that, but–”

“Come now!” said the general. “You’re not drinking to drown your fears, but your guilt. Your guilt in liking war, in loving it. You’ve been taught such feelings are wrong, but you know how your heart sings in battle. Don’t deny it! I only have one eye, but it pierces the hearts of men.”

James opened his mouth to protest, but no words came.

“You’ve not been Christian for some time,” said the general. “Out there, in no-man’s land it’s not St. George you’ve called on, or your desert god. You and your ancestors belonged to me for a thousand generations before the Carpenter arrived in these lands. And it is on my help that you have called in the secret of your heart.”

The room swirled and spun. James squeezed his eyes shut, nauseated, until it stopped.

He now sat on a chain mail-covered mead bench at the end of a Viking hall that stretched away into darkness. The potbelly stove was a great blazing fire pit; the dugout’s support pillar was just one of dozens deep-carved with runes and supporting a high, gabled roof of shining shields. James’s teacup was a drinking horn.

The general was transfigured into a tall, bearded man in a wide-brimmed hat and dark blue cloak, a traveller’s staff in his hand. His good eye, blazing like the sun, fixed on James.

“You’ve not called on me by name,” said Odin, “but you’ve felt the tug of something else on your soul, the ancient allegiance of your forefathers, James Osborne–James Ásbjørn. The Bear of the Aesir! It is in me that you have trusted.”

James fought to convince himself it was a dream or some bad liquor, but the feeling of the chain mail, the scent of roast boar on the air… The hall felt too real for a hallucination, and too familiar. He’d read all the Norse myths as a child, of course, but this was something more.

Something that ran in the bones.

Even Odin didn’t overawe him the way he expected an angel or demon might should he chance to encounter one. Odin seemed more an old friend James had simply never met or spoken to before.

The hall twisted away from James again, and he grabbed hold of the mead bench. His mind told him that he wasn’t moving, but his body cried out at the pull of centrifugal force.

“Wh-what are you doing here?” James said, now back in the cramped dugout in France.

“Recruiting,” said Odin, again the general. He poured them each another drink. “Mead,” said Odin, holding up the bottle. “From the teats of Heidrún herself.”

James grabbed the teacup with both hands and threw back the liquor. Setting it down again, James finally made out the design: not some pastoral Dutch scene after all, but blue-and-white men with swords, in battle. And they were moving. James pushed the cup away.

“What do you mean ‘recruiting’? For the British side?”

Odin laughed. “For my side. Sometimes I am here,” he said, pointing out his British uniform, “and sometimes I am there.” Odin’s appearance slid away in an instant and he was dressed as a German commander.

James cried out and grabbed his head. It hurt to watch Odin’s transformation, but it happened so fast that like a cut from a sharp blade the pain took a moment to register.

“The All-Father can be many places,” said Odin, “and be many people.” James opened his eyes as the pain passed, and the British general sat there again.

“There are many men on both sides whose hearts long for glory and who pray to me for aid, even if they can’t admit it to themselves.” Odin unrolled a large map across the table. The British lines were in blue, the German in black. Red arrows stretched between the trench lines; the next day’s date was written beside them.

The big push.

“I see to it their longing for battle is fulfilled, so the stouthearted can join my glorious dead in Valhalla.”

James counted four arrows pointing to the German lines, and four coming from them, colliding in no-man’s land.

“You’ve–you’ve given both sides orders to attack,” James said. “This is monstrous! It will be a slaughter. Hundreds–thousands–will die for, for nothing. For a few hundred yards of mud!”

“It’s no concern of mine what they fight for,” said Odin. “The petty aims of your kings and ministers don’t interest me. I play at a more serious game: Ragnarok.”

“Ragnarok? No, stop!” James said, kicking over his stool as he leapt up and stalked about the dugout. “I can’t listen to this. I’m a Christian. My God! It must be–be blasphemy to even talk to you.”

Your god, your god…” Odin sighed. “You’re the one who stumbled into my dugout. And didn’t you say there wasn’t much conversation between you and–” Odin nodded skyward. “Are you sure you’re really on the best of terms?”

James stopped pacing.

“You have the heart of a warrior, James: one that rejoices in battle; in the thrill and power of taking an enemy’s life. What do you think He will make of a heart so full of pride and murder? So much uncertainty with this god of yours. Can you really be sure where He will send you, at the end?”

James reached out a hand to steady himself against the piano. Every doubt he’d had about the fate of his soul all these years ago came crashing back.

It hadn’t been what he expected, going over the top that first time. The other men in his squad, just as green as he, huddled terrified in the trench in advance of the whistle to start the charge. Some vomited, others wept. But the moment took James back to a summer hayloft and an eager servant’s daughter, and the same giddy anticipation as before his first love-making.

Back in the trench hours later half those green men were dead and James’s guilt at how much he’d relished the experience was crushing. It wasn’t how a good Christian ought to feel after killing men, was it?

The first time he’d shot and killed a man from a hundred yards; when he fought hand-to-hand with that German and bayoneted him through the ribs; when he charged that pillbox with only his pistol; when that platoon of Jerrys begged to surrender to him, having watched him kill so many of their comrades at close quarters. It had all been…intoxicating.

It was the only word that came close for James, if he was honest with himself. After battle, colours seemed brighter, food tasted better. Death made life more alive! But always the guilt followed, and the dread.

God help me, thought James. I do truly love it. Does that mean I am damned?

“And you?” said James. “What would you have me do?” He sat back down at the table.

“Embrace the calling of your heart,” said Odin. “I need men like you with me in Valhalla, ready when Ragnarok comes. The grey wolf ever watches our halls, James. Loki has escaped his prison in the roots of Yggdrasil, and that has set events in motion. Ragnarok could come tomorrow. It could come in a hundred years. But the days grow short, and I need an army.”

James thought a moment. “And if I, what? Embrace the old ways? Can you–Will I live? Through the war. Do I make it?”

In Odin’s utter stillness James had his answer.

He was surprised that relief outweighed his sadness. There was some part of him, he realized, that never expected to make it home. He’d spent two years burdened every moment with if and when and didn’t understand how exhausting it had been.

It would be tomorrow. During the big push.

“The skein of your life was tied off by the Norns long ago,” said Odin. “Not even I can change that. But could you really look forward to dying as an old man in bed, with all your long years paling next to the thrill of battle? Knowing you were doomed to Hell at the end of it all for your deeds of glory? I can return you to life, in the flower of youth, feasting and fighting until the end of time in Valhalla.”

James put his head in his hands. Everything was upside down.

He wondered whether God would forgive him. He had no priest to grant him absolution in his final hours. Would God judge his soul already too black, too stained by murder and bloodlust?

James wondered, too, about the promise of Valhalla. What would it be like to feast and battle with all the great warriors of history until the end of time? Would he be happy there? There would be no hope of ever meeting his departed loved ones again in heaven. But what if he didn’t merit heaven at all?

“No,” said James in just more than a whisper. He raised his head and looked Odin in the eye. “I can’t abandon my faith. I can’t. I can only hope and pray that God will forgive me my sins when I go to meet him.”

“Will your desert god still forgive though you have no sorrow in you for your deeds?” Odin demanded. “You revel in death, like your berserker ancestors of old. Bear of the Aesir! It strengthens you–sustains you!”

James had no answer. Odin wasn’t wrong, and salvation seemed a gamble. But to cast his lot in with this strange god? God, it was said, was a jealous god. First Commandment, and all that. Perhaps rejecting the All-Father’s offer counted for something. Perhaps God would be merciful after all. He had to trust to hope.

“I can’t. I won’t,” said James. “I’m sorry. I want no part of you or your Valhalla.”

Odin pushed himself up from his chair, growing impossibly tall for the cramped space, until he loomed over James like the World Tree itself. His good eye blazed to life, its unbearable brilliance drowning out all other light in the dugout. James shut his eyes tight and craned his head away, fearing blindness.

“The friendship of Odin is not so easily cast aside!”

James toppled backward, rolling to his belly once he hit the ground. Even though clenched shut, his eyes ached from Odin’s piercing light. The dugout pitched and tossed like a ship at sea, and James dared not stand. He clawed his way across the pine floor in the direction of where he thought the door might be. “I don’t want your friendship! Leave me in peace!”

The dugout and the whole of the earth rumbled as Odin spoke. “Go then! But pray you do not come to regret your words when next you call on Odin’s name.”

#

James didn’t sleep at all that night. After finding the door and hurling himself back into the mud of the trenches, he put as much distance between himself and Odin’s dugout as he could.

Near dawn, when his weary mind began to doubt all he had seen and heard in the night, he’d considered going back to find the dugout and confirm his experiences. But he held back. There would be no dugout, he knew. As if it had never existed.

Instead, James spent the night in prayer. He prayed for the intercession of every soldier-saint he could think of. He said rosary after rosary, and more Our Fathers than he could remember. They were prayers for forgiveness, and for salvation. He didn’t know what the answer would be.

Sound like the distant rumble of thunder, and shells howled overhead toward the German lines. The rolling artillery barrage to soften up the enemy. The push was on. James lined up at the nearest trench ladder and was the first man over the top when the whistle blew to signal the charge.

Better to get it over with quickly, he thought.

He and the men with him advanced at a walk over broken, muddy terrain long since chewed up by artillery. The rotting bodies of dead soldiers, dead horses, and the shattered hulks of abandoned equipment lay all about them.

They’d only covered forty yards when the German counterattack started. Machine gun fire zipped past James with unearthly sounds. All around him soldiers fell dead.

James mucked his way to the crest of a small ridge and saw Germans advancing toward him. He stood transfixed, recognizing one: a mustachioed man wearing an eye patch.

Odin dropped to one knee, aimed, and the next instant James was spun around and knocked off his feet by what felt like a horse kick to the chest. He tumbled backward into the bottom of a shell crater, sliding up to his waist in fetid, icy water.

James cried out in agony as the horse kick resolved into the sharp pain of a rifle shot. Dark, steaming blood oozed from under his tunic, mingling with the reeking muck covering him.

Half-forgotten stories from James’s childhood came flooding back. In them, Odin always betrayed his favourites so that they would take their place in Valhalla: Sigurd slain in his bed by a greedy brother-in-law. Hengest and Horsa betrayed by their own men. Harald driven into the thick of his enemies by Odin himself, disguised as the king’s charioteer.

The German shelling was getting closer now. Plumes of dirt erupted into the air over the lip of the crater with the thoom of each shell burst, marching ever closer to the British trenches.

“Gas! Gas!” came the cry.

Sure enough, yellow-green tendrils of poison gas crept over the rim of the crater, reaching out for him like eager fingers. He coughed hard, and with a grim smile spit frothy blood from his mouth.

He might not last long enough for the gas to get him.

The poisonous haze mingled with the smoke of burst shells and obscured the battlefield like a drawn curtain. Vague shapes coalesced in the deadly fog.

They were the merest suggestion of form. They might have been female; they might have had wings. They lingered and seemed to embrace the bodies of the dead, before lifting away and disappearing back into the fog.

James laughed again, though it was agony to do so. It was gallows laughter of a man who knew he’d been outmaneuvered. The All-Father had been right about him and would not be denied.

For in that moment only anger and hatred–not love–for Odin filled James’s heart, and made him wonder whether it was with Odin that he truly belonged. Perhaps Valhalla was a just fate, with its eternal battle and toil, instead of some restful heaven with the righteous.

James’s ears perked up as the screech of a single shell suddenly stood out above the din of the assault. Something about that sound… James arched his head back, scanning the sky. Where would it land? It would be close.

Under the shriek of the shell, he could hear the faint strains of piano. It was the same piece Odin played before, but James had been wrong about the title. It was Wagner, yes, but not the Fantasia. It was Siegfried’s funeral march from Götterdämmerung–the Twilight of the Gods.

With the shell screaming towards him, James drew a deep lung of acrid air for what he knew would be his final cry for help. But would he call upon Our Father or Odin All-Father?

“O—!”

– FIN –

To nominate and vote in this year’s Aurora Awards, please click here.

2024 Awards Eligibility

‘Tis the season…for award eligibility posts!

Thanks to everyone looking at fiction for this award season. I have a few things from 2024 for your consideration. I appreciate you taking the time for these–hope you enjoy. And if you need copies, drop me an email or find me on Bluesky.

I had four stories published in 2024. They are eligible in the Best Short Story categories for the Aurora, Hugo, Nebula, Locus, World Fantasy, etc. I also edited one anthology which is eligible for some awards, too. All the details below.

If you’re reading just one story, I hope you’ll consider my WWI historical fantasy, “St. George and the World Serpent.”

If you’re a horror reader and reading for the Bram Stoker Award, I hope you’ll also consider my alternate history Aztec horror story, “The Festival of Toxcatl.”

SHORT STORIES

“St. George and the World Serpent”

  • WWI historical fantasy. 3500 words
  • Published in Odin: New & Ancient Norse Tales (Flame Tree, November 2024)

“The Festival of Toxcatl”

  • Aztec historical horror. 5400 words
  • Published in Tenebrous Antiquities: An Anthology of Historical Horror (Chthonic Matter, May 2024)

“Waiting for the Iceman”

  • Near future climate-based science fiction (“cli-fi”). 5000 words
  • Published in Sunshine Superhighway: Solar Sailings (JayHenge Publishing KB, January 2024)

“Challenge Coin”

  • Near future political/military science fiction. 1700 words
  • Published in NATO 2099: The Science Fiction Anthology (February 2024)

ANTHOLOGY

If you’re reading for the Best Anthology category for the Locus, World Fantasy, or Aurora Awards (where it’s called the Best Related Work), I hope you’ll keep in mind Year’s Best Canadian Fantasy and Science Fiction: Volume Two, edited by me and published in November 2024.

Prisoners of Gravity is 35 Years Old

August 21, 2024 was the 35th anniversary of Prisoners of Gravity, the classic TVO show about science fiction, fantasy, horror, and comic books.

In celebration, David Clink and Troy Harkin released a special “Prisoners of Gravity: The Reunion” episode of their podcast, Two Old Farts Talk Sci-Fi. The guests were:

Commander Rick: Rick Green
Producer/Director: Gregg Thurlbeck
Co-Producer: Mark Askwith
Associate Producer: Shirley Brady
Most Frequent Guest: Robert J. Sawyer

You can listen to the full episode here:

https://open.spotify.com/embed/episode/7ki6DjXgSBMenhx8BVXXu7

To learn more beyond the content of the podcast, here’s the show’s Wikipedia entry.

As I say, it’s hard to overestimate the impact this show had on me when I discovered it all those years ago. Growing up in Kingston, Ontario, I knew no one who was interested in science fiction and fantasy. Or at least not the way I was. It wasn’t a genre that my parents read (“too many weird names,” my dad would later confess), and none of the kids in school were into sci-fi beyond STAR WARS (which amounted to just three movies back then). My best friend went home in tears after I showed him an episode of DOCTOR WHO on TVO one night. And while the main branch of the Kingston Public Library had a pretty robust science fiction and fantasy section, I had no one with whom to share my interest. And certainly knew no one interested in writing the stuff (I’d identified that as my vocation in Grade 3).

And then somehow, I stumbled across Prisoners of Gravity on TVO. Dismissed by my younger brother as my (quote) “weird space show,” in those pre-internet days, Prisoners of Gravity was both a lifeline and the keys to a hidden kingdom. My discovery of the show coincided with my discovery of The Hobbit, and through it the Lord of the Rings, and with Star Trek: The Next Generation just as that show got really good in the third season. These works conspired with Prisoners of Gravity to set all my dials as an F&SF reader, watcher, and would-be writer.

Soon, I began to scour the TV Guide (which should be a reminder of just how long ago this was) to see when the next episode of Prisoners of Gravity would air and faithfully set my VCR to record. Sometimes as I was watching the playback, my dad would wander into the living room and catch the fake opening of Second Nature. An avid birder, dad would be intrigued by the appearance of what he thought must be a new nature show on TVOntario, only to be confused and dismayed when Commander Rick’s pirate broadcast cut in and Prisoners of Gravity proper actually began. He was pretty sure something had gone wrong with the VCR.

It was through Commander Rick that I began to understand the long, rich history of the F&SF genre. It was where I first heard the names (and often voices!) of luminaries in the field like Ray Bradbury, Octavia Butler, Alan Moore, Nancy Kress, and (closer to home) James Alan Gardner, Tanya Huff, and Robert J. Sawyer, amongst others. Wait—Canadians can do this kind of writing, too???

I began to build a reading list from each episode. Now, when I was at the library or in a bookstore, I wouldn’t just grab whatever had the coolest looking cover. Instead, I would seek out specific works and specific authors for the first time. I began checking books out of the adult F&SF section, not just the kid’s stuff. At the local comic book shop, the owner raised his eyebrows when I suddenly graduated from Archie & Jughead Digests one week to the Watchmen trade paper the next.

There was an entire episode of Prisoners of Gravity on how you, too, could become a science fiction writer. I watched that one over and over again, transcribing the 10-point checklist that Commander Rick issued at the end of the episode as a distillation of all the wisdom imparted, and promptly taped it to my bedroom wall. I was gonna make it, baby, and here was the blueprint.

In fact, years later, it was my searching online for “whatever happened to Prisoners of Gravity” that led me to get serious about my dream of being a science fiction writer.

My search led me to Robert J. Sawyer’s website (I had first heard of Rob as an interviewee on Prisoners of Gravity and his website featured an extensive section on the show). The timing of my search happened to coincide with Rob’s stint as Writer-in-Residence at the Merril Collection of Science Fiction, Speculation & Fantasy in Toronto (named for Judith Merril, who I’d first heard of when she was interviewed on Prisoners of Gravity!—are we sensing a theme yet?)…and Rob was taking submissions for one-on-one sessions with writers!

From that search for Prisoners of Gravity came a meeting with Rob, a connection to my first-ever writers’ group, my first trips to sci-fi conventions meeting like-minded writers and fans, my first story submissions to paying markets, and ultimately my first sales and later award wins. I’ve even got to meet, get to know, and become friends with writers who I first saw featured on Prisoners of Gravity all those years ago.

So, thank you for this reunion episode about the show and thank you to everyone who brought Prisoners of Gravity to life all those years ago. It was a beacon to at least one young would-be writer, and I genuinely don’t know how or if I would have become a writer without it.

C. S. Lewis’ Advice to a Young Writer

C. S. Lewis’ advice to a young writer.

Solid. I often read my work aloud but didn’t know it was that common a piece of advice. “Write with the ear, not with the eye” is a great way to sum it up. Looks like this Lewis fellow knew how to turn a phrase 😉

Announcing the Table of Contents for Year’s Best Canadian Fantasy and Science Fiction: Volume Two

Fresh off winning a 2024 Aurora Award and receiving a World Fantasy Award nomination for Year’s Best Canadian Fantasy and Science Fiction: Volume One, I’m thrilled to announce the full Table of Contents for Year’s Best Canadian Fantasy and Science Fiction: Volume Two. The book will be published on October 1, 2024.

Featuring award winners, award finalists, and hidden gems, Year’s Best Canadian Fantasy & Science Fiction: Volume Two showcases the powerful, award-winning fantastical fiction and speculative poetry being written by Canadians today.

Table of Contents

Editor’s Introduction: 2023 Year in Review – Stephen Kotowych

“The Canadian Miracle” — Cory Doctorow
“John Hollowback and the Witch” — Amal El-Mohtar
“Third Life” — Julie E. Czerneda
“The Girl Who Cried Diamonds” — Rebecca Hirsch Garcia
“The Nothings” — Beth Cato and Rhonda Parrish (Poem)
“Six Incidents of Evolution Using Time Travel” — Derek Künsken
“Manic Pixie Girl” — A.C. Wise
“The Distance Between Us” — Rati Mehrotra (Poem)
“At Every Door a Ghost” — Premee Mohamed
“Negative Theology of the Child from ‘The King of Tars’” — Sonia Sulaiman
“The Bestiary” — Diana Dima (Poem)
“If I Should Fall Behind” — Douglas Smith
“A Summer Soup to Cure Magical Thinking” — Kim Harbridge
“Your Great Mother Across the Salt Sea” — Kelsey Hutton
“Pack Up Your Sins and Go to the Devil” — Elis Montgomery (Poem)
“Solar Gravitational Lens” — Pauline Barmby
“The Toll of the Snake” — Grace P. Fong
“How Noah Saved the Dinosaurs—a Litany” — David Clink (Poem)
“The Long Way Home from Gaia BH1” — Manuela Amiouny
“Solitaire for Three” — James Alan Gardner
“Sleeper Ship” — Carolyn Clink (Poem)
“Secondhand Music” — Aleksandra Hill
“Sink Your Sorrows to the Sea” — Chandra Fisher
“The Lover” — Silvia Moreno-Garcia
“For the Robots” — J.D. Dresner (Poem)
“What’s Left Behind” — Isabelle Piette
“Exit Greeting” — Chadwick Ginther
“Svitla” — A.D. Sui
“predictive text” — Dominik Parisien (Poem)
“LOL, Said the Scorpion” — Rich Larson
“Horsewoman” — A.M. Dellamonica
“The Dust Bowl Café” — Justin Dill
“Letter to a Brother on a Generation Ship” — M.W. Irving (Poem)
“Revelstoke” — Gemma Files
“Tongue Mining” — Jack Morton
“A Siren’s Call, A Banshee’s Wail, A Grandmother’s Dream” — Ai Jiang (Poem)
“Wapnintu’tijig They Sang Until Dawn” — Tiffany Morris
“Once Upon a Time at the Oakmont” — PA Cornell
“Scarecrow” — David Shultz (Poem)
“Hemlock on Mars” — Eric Choi
“Lying Flat” — Lynne Sargent (Poem)
“Lady Koi Koi: A book Report” — Suyi Davies Okungbowa
“In a Cabin, In a Wood” — Kelly Robson
“Eclipsed” — Lisa Timpf (Poem)
“The Spoil Heap” — Fiona Moore
“As a, I want to, so I can” — Kelley Tai (Poem)
“And Prison on My Back” — Phoebe Barton
“Seeds for Titanium” — Brandon Crilly
“The Most Strongest Obeah Woman of the World” — Nalo Hopkinson

Can’t wait for you to have this in your hands. I know you’re going to love it.

– S.

An Aurora Award Win…and a World Fantasy Award Nomination!?!?

I’m thrilled to report that on Sunday, August 11, 2024, I won the Aurora Award for Best Related Work with Year’s Best Canadian Fantasy and Science Fiction: Volume One.
The book was a lot of fun, a ton of work, and winning an Aurora caps off what has been a universally positive response to the anthology. Thank you to everyone who backed the Kickstarter, bought the book, nominated the book, and/or voted for it in the Auroras. This wouldn’t have been possible without you.
Thank you, too, to everyone at CSFFA who helps administer the awards and to Mark Leslie Lefebvre and Liz Anderson, who once again hosted a fantastic ceremony on YouTube.
Congratulations to all the other Aurora winners and nominees. It was a fantastic ballot from top to bottom this year. You can see the whole ceremony here (the Best Related Work category starts at 51:15):

 

 

Now, when I won, we were actually at a barbecue with friends a couple of hours’ drive from our house. So, as we’re on our way home in the car, I happen to check my email and find…Year’s Best Canadian Fantasy and Science Fiction: Volume One is a finalist for the World Fantasy Award?!?!

Often, when you’re up for an award, they’ll reach out in advance to ensure you want to accept the award. But I guess World Fantasy likes to surprise everyone with the list because I had no inkling this was coming. My wife (who was driving, thankfully) counted me saying “Wow!” sixty-three times in the course of a two-hour drive.
I kept reading and rereading the email, thinking I’d somehow misunderstood.
I’m blown away by all this. This kind of thing happens to other people. I’m looking at the other editors nominated and then remember I’m amongst them, and that old song from Sesame Street starts playing in my head: “One of these things is not like the others / One of these things just doesn’t belong…”
I mean, I’m going to lose to Jordan Peele. (Yeah—that Jordan Peele). But, at the same time…I get to lose to JORDAN PEELE.
Can I just say: WOW.

“Challenge Coin” now available in NATO 2099 anthology

If you told me even just a few years ago that I would someday write a piece of science fiction for NATO, I would not have believed you. But then Russia invaded Ukraine, and suddenly the relevance of NATO as a deterrent against naked Russian aggression in Europe suddenly made a lot of sense again.

So, when the NATO Defence College said that for the 75th anniversary of NATO they wanted me to write a piece of “fictional intelligence” (FICINT) about what NATO might look like in another 75 years, I said yes.

Figuring that a lot of the stories in the anthology might be a bit dystopian in nature, I deliberately injected my story, “Challenge Coin,” with some ‘hopium,’ since I think we could all use a little optimism these days. And if certain things break the right way, some of my forecasts might be less pie-in-the-sky and turn out to be pretty reasonable.

I will say, to their credit, no one at the NATO Defence College flinched or asked me to change anything when I hinted in my story that Donald Trump wins the 2024 election and promptly withdraws the United States from NATO for four years. Definitely an outcome I don’t want to see happen, but one I’m sure someone somewhere in NATO is bracing for and gaming out.

You can download the entire NATO 2099 science fiction anthology for free here.

Amazing Stories loves Year’s Best Canadian Fantasy and Science Fiction: Volume One

Had to share this glowing review of Year’s Best Canadian Fantasy and Science Fiction: Volume One just published in Amazing Stories.

“[A] real powerhouse of quality fiction sparkling with originality, brilliant perception and sophisticated subtlety; the kind of reading session which leaves me feeling inspired and excited… In my opinion, this volume of The Year’s Best Canadian Fantasy and Science Fiction belongs on every Canadian reader’s bookshelf. The second volume is underway. I’d like to see it become an annual tradition. As many readers of my reviews are aware, there is a lot of excellent genre fiction being written in Canada. May this series become the definitive annual sample…You owe it to yourself to purchase it for your bookshelf.”

I’m biased, of course, but I agree 🙂

You can read the full review (which includes some shout-outs for specific stories and poems) at the Amazing Stories site here.

CLUBHOUSE: Review: “Year’s Best Canadian Fantasy and Science Fiction” Vol 1.

 

Ottawa Review of Books on Year’s Best Canadian F&SF

Hello all!

Wanted to share a very positive, very thoughtful review of the anthology that was published today by the Ottawa Review of Books.

While a number of authors in the book get individual shoutouts, the reviewer felt the stories in the collection “ranged from ‘solid’ to ‘outstanding’ with the overall weighting tipped heavily towards the ‘excellent’ end” and that the collection is a good “reflection of how Canadian speculative fiction has expanded and matured” in recent decades. “Overall,” he writes, “it is a great collection, [and] a great reflection on what Canadian speculative fiction has to offer…”

I couldn’t agree more 😉

I’m so pleased that so much of what I was hoping to do with the collection came across to the reviewer. I don’t have them often, but once in a while even I have a good idea 🙂

You can read the whole review here.

– S.

Exclusive Interview: “Year’s Best Canadian Fantasy And Science Fiction: Volume One” Editor Stephen Kotowych

Not only is Year’s Best Canadian Fantasy and Science Fiction: Volume One now available, but this interview with me about the project is now live, too! For those of you interested in process, it gives a bit of insight into my thinking as I put the project together, plus a look at some future plans. Thanks to @paulsemel for setting this up!

And once you’ve read the interview, check out the book!

Print & Ebook:

Amazon Canada: https://www.amazon.ca/Years-Canadian-Fantasy-Science-Fiction-ebook/dp/B0CP88Q46M/

Amazon US: https://www.amazon.com/Years-Canadian-Fantasy-Science-Fiction-ebook/dp/B0CP88Q46M/

Ebook only:

Kobo: https://www.kobo.com/ebook/year-s-best-canadian-fantasy-and-science-fiction-volume-one

Everywhere else (incl. B&N, Apple Books, Smashwords, overseas retailers, etc.): https://books2read.com/u/m06V50