Publishers Weekly Review of WOTF 23

John Goodwin, President of Galaxy Press, passed this along to the WOTF 23 cohort the other day, saying it was the best review any WOTF volume has ever had from PW.

Congrats to all my fellow “talented up-and-comers” and special congratulations to Jeff Carlson (who already has us all beat–he’s got a novel, Plague Year, out from Ace!), Doug Texter (my WOTF roommate and all-around good guy who ALSO HAS A BOOK!: You’re Not Very Important, from Creative Guy Publishing), and fellow Canuck and my WOTF workshop twin (the evil one) Tony Pi for their special mention herein. Well done guys! I’m thrilled for you!

L. Ron Hubbard Presents Writers of the Future: Volume XXIII
Edited by Algis Budrys. Galaxy, $7.99 (554p) ISBN 978-1592123988

Those looking for a new group of classic, hard science fiction writers need look no further than the latest volume of Galaxy’s always-reliable original anthology series. A distinguished panel of judges, including Orson Scott Card, Larry Niven and Jack Williamson, selected 13 quality stories by relative newcomers touched with imagination and inventive plotting. The standout is Jeff Carlson’s “The Frozen Sky,” a pulse-pounding account of an encounter with extraterrestrial life beneath the surface of Jupiter’s moon Europa, but several others will linger in the reader’s mind. Fresh names worth watching include Tony Pi, who presents a chilling story of the world’s end, and Douglas Texter, whose vision of reality television’s future features time-traveling lensmen sent to capture historic events. Also included are essays by Hubbard and artist Judith Miller, and illustrations from a number of different artists, a mixed collection marked by occasional brilliance. While readers will relish these short pieces, many of the ideas explored in them would likely work well in a longer format, auguring well for the future of these talented up-and-comers. (Sept.)

Cool!

– S.

Of Montreal

Congratulations to Montreal’s Anticipation for winning their bid to host WorldCon 2009. They won their bid with hard work and lots of smoked meat (I know–I’ve been to their room parties at Ad Astra the last couple of years!)

It will be great to have WorldCon in Canada again (not least of all because it will be easy to attend–I missed attending the Toronto World Con in 2003) and Rob Sawyer has a list here of other reasons it will be appropriate to have WorldCon in Canada in 2009.

And what a WorldCon it’s shaping up to be! Their GoH thus far:

Neil Gaiman – Guest of Honour
Elisabeth Vonarburg – Invitée d’honneur
Taral Wayne – Fan Guest of Honour
David Hartwell – Editor Guest of Honour
Tom Doherty – Publisher Guest of Honour
Julie Czerneda – Master of Ceremonies

WorldCon will be held at Palais des congrès de Montréal from August 6th – 10th, 2009.

I’m already trying to get folks from my WOTF cohort to go. See you there!

– S.

Writers of the Future XXIII Book Trailer

Yup–just like they get for movies. This was played for the first time at the WOTF Award Ceremony and really impressed the hell out of all of us winners. Now, along with everything else of coolness in the universe, it’s online for all to see.

I was told later that the same company that did all the PR for Dan Brown’s Da Vinci Code (the book, not the movie) is looking after the promotion of WOTF XXIII and prepared this trailer. Very nice.

And I was so nervous during the ceremony that I didn’t even notice that it opens with a flight through the rings of Saturn. Coincidence I’m sure, but still cool 🙂

– S.

The Coolest Hugo Ever

The Hugo trophy from this year’s awards in Japan is, simply, the coolest one ever.

Now, there have been some cool looking Hugos before. And there have been some very cool looking Hugos.

But I’m afraid this one takes the cake, err, rocket ship.

Designed by: KAIYODO

Come on–you know I’m right.

The results of the 2007 Hugo Awards, as announced at Nippon 2007, the 65th World Science Fiction Convention, in Yokohama, Japan, on September 1st 2007, are as follows:

* Best Novel: Rainbows End by Vernor Vinge [Tor, 2006]
* Best Novella: “A Billion Eves” by Robert Reed [Asimov’s Oct/Nov 2006]
* Best Novelette: “The Djinn’s Wife” by Ian McDonald [Asimov’s July 2006]
* Best Short Story: “Impossible Dreams” by Tim Pratt [Asimov’s July 2006]
* Best Related Non-Fiction Book: James Tiptree, Jr.: The Double Life of Alice B Sheldon by Julie Phillips [St. Martin’s Press, 2006]
* Best Dramatic Presentation, Long Form: Pan’s Labyrinth (2006) Screenplay by Guillermo del Toro. Directed by Guillermo del Toro [Picturehouse]
* Best Dramatic Presentation, Short Form: Doctor Who – “Girl in the Fireplace” (2006) Written by Steven Moffat. Directed by Euros Lyn [BBC Wales/BBC1]
* Best Editor, Long Form: Patrick Nielsen Hayden
* Best Editor, Short Form: Gordon Van Gelder
* Best Professional Artist: Donato Giancola
* Best Semiprozine: Locus ed. by Charles N. Brown, Kirsten Gong-Wong and Liza Groen Trombi
* Best Fanzine: Science-Fiction Five-Yearly ed. by Lee Hoffman, Geri Sullivan, and Randy Byers
* Best Fan Writer: Dave Langford
* Best Fan Artist: Frank Wu

The winner of the John W. Campbell Award for Best New Writer, sponsored by Dell Magazines and administered on their behalf by the World Science Fiction Society, is:

* Naomi Novik

– S.

Chicago: City of Tomorrow

So one of the reasons for my delay in blogging about the Writers of the Future week was my business trip to Chicago two days after I returned from California. For a guy who didn’t have a passport a month ago I’ve certainly logged some miles on mine…

I was in Chicago to attend the American Political Science Association’s annual meeting. I’d never been to Chicago and was looking forward to seeing the Windy City (it wasn’t really that windy when I was there, however.)

My colleague Ryan and I stayed in the Sheraton Chicago.


The lobby…


…my room (yeah, that’s a King-sized bed)…


…the view.

You know–it was an okay hotel (!)

And yet, almost as soon as I arrived in Chi-town, I felt something was different. I couldn’t put my finger on it until I saw this piece of artwork in the lobby:

Remind you of anything? Perhaps something from…the future?

And that’s when I realized it: Chicago was a sci-fi city. It all started to fall into place. So much of what we saw and where we went was decorated in the Art Deco style–and what was Art Deco but the design of how the future was supposed to look?

Further proof of my theory was not long in coming.

I turned around just in time to witness this strange event: two people (obviously time travelers, given their ridiculous attire–a painful, failed attempt to blend in with early 21st Century natives) stood in front of the trickling fountain in the lounge. As soon as they saw me the man did a strange, shamanistic dance…

…and they blinked out of existence, no doubt returning to their natural point in the space-time continuum. That guy to the right of the statue apparently heard the same ‘pop’ that as I did as the disappeared.

Other clues were available in the skyline of Chicago, like this honeycomb-like building–half apartments, half open parking ten storeys off the ground. Who needs to park so high unless…that’s right: unless you have flying cars.

But perhaps the most blatant example of Chicago’s place as a futuristic city were the number of anti-starship artillery batteries on display atop the buildings of Chicago’s skyline. Take just these examples–the ion cannon mounted on the NBC Tower (foreground) and the massive twin rail guns sprouting from the black obelisk that is the John Hancock Building (background).

My theory now entrenched, I could turn to my duties as UTP’s representative to the APSA book fair. Lest you think this was a cushy week for me, the book fair this year was located three floors below the lobby of the Hyatt in what appeared to be a renovated parking garage and, below, you see the only available refreshments:

Yup. A bucket of thumb tacks. What’s worse–they were self-serve.

After a few days of such treatment, I decided I needed to get out and wander the city a bit.


A genuine American urban alleyway–it even has fire escapes!

*
North…and south along Michigan Ave.


Anybody remember how this building–the Smurfit-Stone Building (I swear)–features in Adventures in Babysitting? My life-long crush on Elisabeth Shue was started by that movie…

But then my reverie was broken when I spotted this terrible metal monstrosity. Turns out, much to my relief, it was not some terrible robotic invader, but rather a theater. It looks to me like Shakespeare blew up…

Near by, however, were signs of an alien presence.

Chicagoans call it ‘the Bean’, but look at it–it’s clearly a spaceship. Has no one else seen Flight of the Navigator?!? And how do you think the aliens are going to feel when they realize that we’ve been letting pigeons (look close–you’ll see him) crap all over the top of their shiny spaceship?

*
From the underside. ‘Thing Big’ indeed.

Near by, people practice rhythmic dancing to welcome and
appease the aliens. I, for one, welcome our alien overlords!


The fountain outside the Art Institute of Chicago. Note the sculpture.


This is a depiction of the little-known myth of the Trickelous Sisters–who, when
they spurned his advances, were condemned by Zeus to have water poured over
them constantly every day. The two older sisters (middle center and right) seem
to be coping okay, but the one in the bottom left looks like she’s about to lose
it entirely. I still think Sisyphus or Prometheus had it tougher.

At last I arrived at the Field Museum of Natural History–one of the most amazing museums I have ever visited (and I’m a museum kinda guy). I arrived at the back door:


That’s right–this is the BACK door.


“My name is Sue! How do you do!”

And there she, err, he, err, IT was–Sue! The world’s largest, most complete, and best preserved Tyrannosaurus Rex skeleton and the reason I wanted to visit the Field in the first place.

Named for Sue Hendrickson, the paleontologist who discovered it, no one is sure whether this T-rex was female or not. Meaning (you guessed it) this could be a boy named Sue…

(The story of Sue’s discovery and sale is actually quite interesting, as there was quite a controversy about who owned the remains. I recommend Steve Fiffer’s book Tyrannosaurus Sue for the full story.)

*


A lovely view out the window from the dinosaur exhibit.


I’ve always loved prehistoric megafauna that lived around the time of the
last great Ice Age. Here we have a Woolly Mammoth and the giant Irish Elk.


This is the front door of the Field Museum.


Is that another spaceship? Oh no–just Soldier Field.

On Sunday morning we bid farewell to the City of Tomorrow. I wish I’d been able to spend more time there, but I took some solace in knowing that Toronto was even better defended from orbital bombardment than Chicago.

– S.

Bad Blogger!

Okay–so it’s Wednesday and the promised day-by-day-as-it-happened series of posts about the Writers of the Future week hasn’t happened.

Mea culpa.

I didn’t anticipate just how busy I’d be when I got back from Chicago, and must confess that the posts have got away from me. So I will begin the series this coming Sunday, Sept. 09–promise.

In the meantime, there’s lots of other content I’ve come across which should tide you over until then. Thus, without further adieu…

– S.

Sweet Home Chicago

So the whirlwind continues…

I’m back in Toronto just long enough to do some laundry and pack again for a trip to Chicago, where I’ll attend the American Political Science Association annual meeting as part of my responsibilities in the scholarly book editor day job.

Suffice to say I haven’t much time then to go into detail about the WOTF week the way I’d like. What I will promise, oh loyal reader, oh true believer, is that when I return from Chicago I’ll run such a series on the WOTF week as to make you regret ever asking for details (perhaps you already do…)

So beginning Sunday, September 2, I’ll post a week-long day-by-by recap of the events of the Writers of the Future week, along with my thoughts, reflections, and impressions about the most amazing, incredible week of my life.

In the meantime, however, you can content yourselves with the recap of events on the WOTF blog, as well as on several blogs by my friends in the WOTF 23 cohort. You can find some of them in the links sidebar now, with more to come soon.

To tease you, however, here are a couple of photos from my 166 MB (!) of shutterbugishness during the week:


What a good looking group of writers… We were fueled almost
entirely by takeout Mexican food from Rubio’s that week.


A somewhat blurry shot of the Big Moment, which is okay because at this point it’s actually how I was seeing the world–rather shaky and kind of fuzzy around the edges. To my left is Tim Powers–writing instructor extraordinare, Coca Cola fiend, and all-around good guy. He was the only thing holding me up at this point.


The world’s smallest (and ugliest) science fiction fan, sinking his
teeth into a pre-release copy of the anthology and enjoying it very much.

More to come next week!

Best,

– S.

I Won the Grand Prize!

Hi everyone –

It’s 150am in California and I just got back from the WOTF prize night–I’m actually still in my tux.

I wanted to let you all know that this evening I won the Grand Prize at the Writers of the Future award ceremony. I’ll be posting WAY more about WOTF once I get back to Toronto, but I wanted to let you know now because…well, because this is possibly the most excited I’ve ever been in my whole life.

Being convinced that I was not going to win, I hadn’t prepared an acceptance speech and was UTTERLY stunned by the announcement. I’m told that there were words coming out of my mouth, that they were in English and that they made some sense. I don’t exactly recall them, however, as I was focusing on breathing and not passing out. It was one of the most intense moments of my life and there’s really no way to describe it.

I didn’t expect to win because two hours earlier Jerry Pournelle and Prof. Yoji Kondo (two judges) had told me that I hadn’t won. I said to him afterward: “You tricked me!” He looked at me with a mischievous glint in his eye and said in a Louisiana accent: “I did do that, didn’t I?”

It was an amazing moment.

I’ve spent the last four hours signing books, doing interviews, and taking more pictures than I think I’ve ever had taken of me in my entire life combined. I’m on such a rush right now I may never sleep again.

Tomorrow is a giant book signing with all the authors and hopefully some downtime for the first time all week. I’ll be back in Toronto Sunday for two days before I leave for Chicago for a week on business, so I’ll talk to you as soon as I can.

TTFN

Stephen – Master of the Universe (for tonight anyway…)

Goo Goo G’Joob

Hi all –

Okay–last chance to post before I head for California.

Don’t know if you’ve seen the latest issue of THE WALRUS, but there’s an article in there about the death of the book-as-paper-artifact and the future of reading. It’s written by Jon Evans, an author upset that his publisher won’t let him put his novel up for free on his website.

In terms of content, the article doesn’t strike me as saying anything I haven’t heard before, but maybe that’s because a) I’m a writer and concerned about the future of publishing, b) I’m an SF writer and concerned about the future of publishing, and c) I’m a professional editor and concerned about the future of publishing.

So if you haven’t been previously aware of these issues the article might be a good place to go for an introduction. It does include a nice shout out about SF writers and publishers distributing content free online, and Canadian SF writer (and editor of mine) Cory Doctorow‘s free online fiction.

While most publishers tremble and fret, some authors actually want to put their work online. Many in this group are from the forward-looking field of science fiction. If you’re so inclined, you can go online right now and read (for free) highly acclaimed science fiction novels such as Charles Stross’s Accelerando, Peter Watts’s Blind-sight, and the entire oeuvre of Cory Doctorow. Science fiction publisher Baen Books has made available a “library” of copy-righted-but-free novels. You may be wondering why these authors and publishers have cut their own commercial throats. But the evidence to date indicates that releasing a book online actually increases offline sales. Readers try and then they buy.

The full article is available here.

When I eventually get off my duff and get a novel written I think I’d like to try the “Doctorow Method” and have it available free under a Creative Commons license. I, for one, used Napster as a kind of advanced music listening try-before-you-buy system, and figured that if I liked three or four songs off an album I’d generally like the whole thing and would buy it.

I think that someone who reads and enjoys a book online is quite likely to buy the hardcopy or perhaps the hardcopy of your next book. And when someone likes a book they tend to recommend it to friends, so you increase your potential sales a great deal by this read-before-you-buy system.

And I think this is the key benefit of the free online idea–expanding your readership. Especially as someone starting out and trying to get their writing noticed it could be a huge boon. Not many people will wander into the Sci Fi/ Fantasy ghetto of their local bookstore (it’s usually at the back of the store on a high shelf like it’s porn anyway) as there’s a real psychological barrier. But if someone recommends to you a book that, sure is sci-fi, but which you can read for free? Well, I think more people who “don’t normally read sci fi” would give that a chance. And the real future (and money) of SF lies in the ability to cross that divide and get out of the sci fi ghetto and be a sci fi writer who the mundanes will read.

And if someone reads the book free online and doesn’t like it (for whatever reason) you’ve perhaps lost that sale, but it’s unlikely you’ve lost any future sales to that same person. Generally when you don’t like one book by an author you’re unwilling to give another one a shot, right? So your potential benefits, in my mind, far outweigh your potential risks.

– S.